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Incantation Of The Sea
The course of this paint went very slowly,because of my busy work.At the beginning,I painted my imaginational screen,below the icy moon-light, creates the spectral and empty coast. Suddenly there appears army seeing the incantation of the sea.I created the black and white sketch of the whole and some details. The special form of the paint increases the transverse space. Drawing the up-writhe wave spent me such a long time,and I made a more suitable brush by my self.The people and the reef marking the incantation are made the effect of silhouette,they are no need to be painted embedded.
此作的进程，因为工作的关系，十分的缓慢。作画初始，我绘制了构想中画面，冰凌月色苍穹，缔造诡异空灵的苍茫海岸，及突见海咒的军队，作整体及部分细节的单色稿。特殊的构图形式，增加了画面横向移动的空间感。向上翻腾的海浪，耗费了我很长的时间，为此，自制了更为适合绘制的笔刷。至于画中的人物及符咒的礁石，始终保持剪影的效果，不作过于深入的描绘。
Incantation Of The Sea_February_2007
Incantation Of The Sea_February_part_1
Incantation Of The Sea_February_part_2
Incantation Of The Sea_February_process
BLACK FOG
Before begin to draw the paint formally,I tried to draw the concept sketch.Throughout the concept sketch,I confirmed the layout and inter-relationship.Aiming at the needed atmosphere,I drawn farther.I used some light brushwork when I portray the character in the paint,and the other part,I just outlined them roughly,and made them fade-out to the dark,and coming into the dreamland.
在正式作画前,我先尝试性的绘制了概念稿.通过概念稿,明确空间布局及相互关系.针对所需表达的氛围,深入作画.画面角色刻画,留有较多的亮色笔触,其他部分,只作大致的勾勒,并逐渐隐入黑色,渐入幻境.
BLACK FOG_january_2007
BLACK FOG_january_2007_concept
BLACK FOG_january_2007_part_1
BLACK FOG_january_2007_part_2
HOMING
when I created this paint,I continue the realistical technique like < SANGUINEOUS SKY >.The artistic fconception consists of the freezing snowfield,the way-identified war horse carrying a dying soldier who after a fight closely on battlefield,on the same way when going.
I spent much time on the concept sketch,I perfected the action of the character
constantly,and the entironment.I planned using the mode of the drypoint once,and finishing the paint with pen sketch.But at last,I decided to color it.In order to decorate the effect,I weaken the space-deep sence.The whole paint is large,I paintthe fluttering snowflake separately and the light reflecting on the snow for effective.
I hope to have more inspiration for the next creation from this paint.
创作此作时,我延续了<血色苍茫>的写实手法.描绘的意境,是严寒的雪原.识途的战马,载负在恶战的厮杀中，遭受重创,而在雪原渐渐步入死亡的将士,在来时的同一条路上.
我将很多的时间花费在创意稿的调整上,不断修改角色的动作,以及周边的环境.曾打算,以铜板画的绘制模式,以单色素描的形式来完成画面.但最终,还是决定上色,为了画面整体色彩的形式装饰感,我削弱了对空间纵深的处理.画幅像素偏大,为了方便处理画面,我分离绘制了漫天飞舞的雪花,以及光线,投照在雪地的晶莹反光.
希望此作,能给我更多的灵感,投放在下一张的创作中.
归途_december_2006 < 作品上传,谨慎起见,作了拉伸复制处理 >
HOMING_december_2006
HOMING_december_2006_part_1
HOMING_december_2006_part_2
HOMING_december_2006_part_3
HOMING_december_2006_part_4
SANGUINEOUS SKY
This paint,I stress expressing the sky and the ground below the sanguineous set,the war-smoke closes over the sky,the war-horse is braying.I use the strong contrast of the color to romance the picture and extrude the subject." sanguineous sky" is the first paint of my series about archaian war field.
这幅作品，我着重表现了苍茫血色映衬下的天与地，烽烟蔽日，战马嘶鸣。以反差强烈的色彩渲染画面，突显主题。
SANGUINEOUS SKY_november_2006
SANGUINEOUS SKY_november_2006_part_1
SANGUINEOUS SKY_november_2006_part_2
SANGUINEOUS SKY_november_2006_part_3
SANGUINEOUS SKY_november_2006_part_4
SANGUINEOUS SKY_november_2006_part_5
[ 此贴被leelang在2007-03-05 15:16重新编辑 ]
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